Author Archives: author
WHO REMEMBERS WARIDI DANCE?
This reminds me so much about the power and strength of an African woman We all live on her back. Second voice in the life of a dancer that we all shoulder and still move on? KPAG Dance Waridi (Photo
WHO REMEMBERS WARIDI DANCE?
This reminds me so much about the power and strength of an African woman We all live on her back. Second voice in the life of a dancer that we all shoulder and still move on? KPAG Dance Waridi (Photo
TWISTING EGO?
When the eagle of the art just landed ( Read twisted ego)? Moses Otieno (KPAG) Photo Ronnos.
TWISTING EGO?
When the eagle of the art just landed ( Read twisted ego)? Moses Otieno (KPAG) Photo Ronnos.
INTO PERSPECTIVE?
Sometimes give it worms eye view, why not? Moses oteino ( KPAG) Photo Ronnos
METAPHORS OF STAGE?
The art scene is one big object ( Metaphorically) on stage, So in order to perform optimally you have to be aware of them. First shock experience for dance/ theatre students in Nairobi. They look lost don’t you think so?
METAPHORS OF STAGE?
The art scene is one big object ( Metaphorically) on stage, So in order to perform optimally you have to be aware of them. First shock experience for dance/ theatre students in Nairobi. They look lost don’t you think so?
ARTS AND DISCOVERY?
Evolutions Piece defined KPAG forever and to an extend it gave us the helicopter’s view how our arts could look like in the 21 Century. it will have to re-engage all art elements as equal partners and if need be, do away
ARTS AND DISCOVERY?
Evolutions Piece defined KPAG forever and to an extend it gave us the helicopter’s view how our arts could look like in the 21 Century. it will have to re-engage all art elements as equal partners and if need be, do away
EVOLUTIONS?
KPAG Evolutions defined us forever, cause we were neither for Dance nor Theatre, but (R)Evolution of both in defining our state of arts, which was and is for dance and not against Theatre in Africa but a holistic approach to both?
EVOLUTIONS?
KPAG Evolutions defined us forever, cause we were neither for Dance nor Theatre, but (R)Evolution of both in defining our state of arts, which was and is for dance and not against Theatre in Africa but a holistic approach to both?
ORIGINAL KPAG CREW?
WHO REMEMBERS THEM? The second generation KPAG members. Anita, Moses, Seline, Brenda, Sidi, John, Terdamite and Denis SO? What is Future? ( Photo Antony kaminju)
ORIGINAL KPAG CREW?
WHO REMEMBERS THEM? The second generation KPAG members. Anita, Moses, Seline, Brenda, Sidi, John, Terdamite and Denis SO? What is Future? ( Photo Antony kaminju)
LIVING ON THE EDGE?
When all you can hear is different voices but the face and the body don’t lie? Sidi Baya ( KPAG) Photo D.A.G in Tropen Theater Amsterdam.
LIVING ON THE EDGE?
When all you can hear is different voices but the face and the body don’t lie? Sidi Baya ( KPAG) Photo D.A.G in Tropen Theater Amsterdam.
DANCE IN MOTION?
It is so fascinating to see picture of dance with a lens filled motion that depicts something living or moving, Just the fact that it is moved or in motion brings that human touch? ( Photo D.A.G) KPAG
DANCE IN MOTION?
It is so fascinating to see picture of dance with a lens filled motion that depicts something living or moving, Just the fact that it is moved or in motion brings that human touch? ( Photo D.A.G) KPAG
KENYAARTS 