Dance Artists are known for ‘lynching’ their own bodies. Where is the mind in this training and when is there mind matching their physicality? Does this make dancers slaves by choice?
Does this explain the need for ‘practical’ artists to work together with e.g. university students who are basically doing the opposite to themselves?
Or should we review the arts education in total? or has the opportunity presented itself? Is this feasible?
KENYAARTS 